E. Charlton Fortune: The Colorful Spirit
One of California’s most trailblazing artists, E. Charlton Fortune (1885–1969) had a thriving career as a painter until the age of forty-three, when she began a pioneering new vocation in liturgical art. E. Charlton Fortune: The Colorful Spirit pairs the artist’s impressionist and modernist landscapes with her ecclesiastical paintings, sculptures, furnishings, and other designs produced for the Catholic Church.
Though her paintings are frequently labeled impressionist, Fortune’s work moved beyond the style, a fact well recognized in her own time. Rather than focusing on nature for its own sake, she emphasized humanity’s impact on the land and was best known for colorful landscapes featuring architecture and elements of modern life as well as figures, many of them female. These works were strong in color—frequently rendered in primary or complementary hues—and rugged and gestural in execution. Because of this, some reviewers and critics thought she was a man. Many also described her paintings as “masculine,” attributing their success to a perceived virility—then one of the most highly regarded qualities in art.
Starting in 1928, Fortune’s disenchantment with mass-produced ecclesiastical art led her to create designs of her own and then found the Monterey Guild, a group of skilled craftspeople who, under her direction, created original, modern artworks for churches. Fortune’s religious artworks returned the focus to the liturgy and reinforced the importance of design and handcraftsmanship within Church interiors.
E. Charlton Fortune: The Colorful Spirit illuminates this formidable artist’s contributions both to early California painting and American liturgical design through approximately eighty works.
E. Charlton Fortune: The Colorful Spirit is organized by the Pasadena Museum of California Art and curated by Scott A. Shields, Ph.D., California art scholar and Crocker Art Museum’s Associate Director and Chief Curator. A 240-page, fully illustrated catalogue featuring scholarly essays by Shields and by Julianne Burton-Carvajal, Ph.D., accompanies the exhibition. Following its debut at the PMCA, the exhibition will travel to the Crocker Art Museum in Sacramento from January 28–April 22, 2018, and the Monterey Museum of Art from May 24–August 27, 2018.